3rd Quarter Of 2016 In Music - Wrap-Up

Perhaps a bit overdue, but better late than never. Here's a summary of what we listened to in the third quarter of 2016 (July - September) and links to albums we've reviewed.

5-Star Albums (85 - 100)

4-Star Albums (65 - 84)

3-Star Albums (45 - 64)

2-Star Albums (25 - 44)

1-Star Albums (0 - 24)

  • None!

Throwback Reviews


Top Albums Of 2016 (so far)

  1. Radiohead - A Moon Shaped Pool
  2. AURORA - All My Demons Greeting Me As A Friend
  3. Panic! At The Disco - Death Of A Bachelor
  4. Deftones - Gore
  5. Dream Theater - The Astonishing
  6. Foxes - All I Need
  7. Sin Fang - Spaceland
  8. Daughter - Not To Disappear
  9. Gojira - Magma
  10. Thrice - To Be Everywhere Is To Be Nowhere

Top Songs Of 2016 (so far)

  1. AURORA - 'Murder Song (5, 4, 3, 2, 1) (Acoustic)'
  2. Radiohead - 'True Love Waits'
  3. Deftones - 'Hearts/Wires'
  4. Radiohead - 'Daydreaming' *
  5. Panic! At The Disco - 'Emperor's New Clothes'
  6. Foxes - 'Better Love'
  7. Lacey Sturm - 'Rot'
  8. AURORA - 'Through The Eyes Of A Child'
  9. Deftones - 'Phantom Bride'
  10. Thrice - 'Black Honey'

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Crystal Castles - Amnesty (I)

The distorted synths of Crystal Castles are something you can't mess with. Amnesty (I) is the band's first album in four years, and the first to not feature ex-vocalist Alice Glass. It's an eclectic album, though distortion can't save everything.

It begins hauntingly with a haunting reversed choir sample (apparently singing a cover of 'Smells Like Teen Spirit') on top of a hip-hop beat and layered synths. This element of creepiness finds different motifs throughout the album. 'Fleece' displays it with distorted tortured vocals screaming above huge synth blasts, while 'Enth' ups the creepy factor in the same way with crunchy synths under urgent distorted vocals. The whole album has a similar vibe that repeats throughout, but there's a lot more to it.

Despite the unsettling sounds that find their way into the record in nearly every track, there's a wider array of emotion being displayed. See 'Char' - a much sweeter track, with bouncier synths and a more gentle vocal line. It's a chiller track than the preceding 'Fleece', which is a bombardment of distortion. This track, on the other hand, is smooth and rounded around the edges in comparison. Similarly smooth is the epic closer, 'Their Kindness Is Charade'. It's like a more epic version of CHVRCHES' 'Afterglow' - it has all the same elements (closing their albums, atmosphere), but this track builds with a lot more meaning. The synths constantly build into one last epic hurrah to end the record on a big note. It's an appropriate send off for an album so diverse, as it displays the best of the record within the span of three minutes.

Instrumentally, this album is a banger. To the pulsating synths of 'Sadist' to the soft buildup of 'Their Kindness Is Charade', there's a lot of ground covered on this record. You can find nearly anything you want on this album - 'Chloroform' even has the weird scratch synths that were iconic in the 2000's. 'Concrete' has bouncy and dark synths on top of a pounding beat (under vocals that sounds like a distorted cheerleading session), and you can find the extremes of distortion in 'Teach Her How To Hunt'.

Crystal Castles took their time crafting this album. It's creepy and often times off-putting, but it stands together well. Amnesty (I) is proof that Alice Glass wasn't the heart of the band - she was  an extension of it, but not the whole package. Ethan Kent and Edith Francis can hold it down just fine.

Favorite Tracks: Their Kindness Is Charade, Femen, Enth

Least Favorite Track: Ornament

Rating: 70 / 100