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July 24, 2016

Harakiri For The Sky - III: Trauma

July 24, 2016/ Dylan Yadav

Most people will see black metal as something satanic or not of this world. This is only partially true of Harakiri From The Sky. They don't dabble with the sounds of Hell; rather, they choose to explore the mind and its emotions instead. III: Trauma is their newest release, and it goes further and bites harder than any of its predecessors.

Going into Trauma, you expect something dark and for something nasty to develop within your throat as it progresses. That's what black metal would typically do to you. But no, Harakiri For The Sky takes a different direction. There's something pure in their music; it's not the heaviness that speaks for it. Rather, the melodies seem to do that for them. III: Trauma is not an album meant to be jammed to (though, that is very much a thing you can do). It's an album that wants your understanding and focus - and trust me, you'll need it.

All expectations are lost straight from the start, replacing them with a morbid curiosity instead. The eleven-minute epic 'Calling The Rain' begins the sweltering album, piano chords and reverberating guitar being this albums entrance. Instead of dropping those elements in favor of a low-tuned chugging, powerchords kick in in order to expand upon the ideas developing from the start. The lead guitar soars above the thriving instrumental as if to search for something before tortured vocals enter the scene, the angered and lost disposition of the voice contrasting the hopeful instrumental. This song itself is a journey; by its end it feels like you've been hit by enough thought to have listened to an entire album already. It goes through cycles, heavy ones full of rage and others begging for hope. The vocals and instrumental are constantly fighting each other in some sort of dark, graceful dance that begs for an answer. It's gentle conclusion finds itself experiencing an aftermath, one final blast taking the song to its end.

After that's over, it's time for the second song. Every track on this record is a lengthy one, the shortest clocking in at eight and a half minutes ('The Traces We Leave'). Often times, bands who take these long roads lose themselves in complex turns and systems that ultimately makes the song lose its light. Everything on this record feels justified in its length, though. Each song is its own story, its own exploration of a concept that delves within your own psyche to bring out a very warming closeness. There are big riffs to give the listener moments to jam - see 'This Life As A Dagger' especially - but this album is much more than that.

This album feels almost like an alternative rock record in terms of its understanding of heaviness and structure. Take 'Funeral Dreams' as an example, though each song exhibits it. It isn't driven by a need for galloping riffs to make itself sound big; each song is cavernous with a clear respect to spaciousness. Every element of the song comes together to create massive atmosphere that builds and builds into one collective body. The riffs don't even feel as down-your-throat due to low tuning. The mixing compliments the high-end more so than the low-end (which also isn't tuned down to the depths of Hell). This album channels melody over thrill, and emotion over just rage. The instrumentals help inspire your mind as to what you should be feeling - 'Thanatos' begins with an ethereal intro that makes you feel like you're drowning, while the epic percussion and powerful feeling of 'Dry The River' gives you hope.

Harakiri From The Sky seems to understand what metal should be about. III: Trauma is not your every day black metal album. It is post-metal at its finest. It explores surreal and deep parts of the human emotions, and seeks to find closure within them through the music. It's a long record but a revealing one. It's an essential for any metal fan, and one that cannot be skipped for any fan of music. It's a brilliant emotional journey that has you think and feel - there's nothing more important that music can do for you.

Favorite Tracks: Calling The Rain, Funeral Dreams, Dry The River

Least Favorite Track: The Traces We Leave

Rating: 88 / 100

July 24, 2016/ Dylan Yadav/ Comment
Album Review
Harakiri For The Sky, Post-Metal, Black Metal, Metal, Album, Review

Dylan Yadav

Just another guy on the Internet making his voice be heard. I love writing about music, listening to it, and then making my own. I make my own music under the moniker Rogue Soul.

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