Chelsea Wolfe Gets Heavier Than Ever Before On "Hiss Spun"
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Chelsea Wolfe's Hiss Spun builds more oppressive sounds while drawing upon heavy guitars to help.
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LIGHTS Takes A New Approach In "Skin&Earth"
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LIGHTS tries something new on Skin&Earth, but it doesn't quite work in the right ways, for the most part.
Read MoreThe Killers Remain Cinematic In "Wonderful Wonderful"
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The Killers bring some of the old and add some of the new into their cinematic new album Wonderful Wonderful.
Read MoreGalantis Keeps Things Trendy On "The Aviary"
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Galantis has trouble defining the line between a cop out album and a catchy one with The Aviary.
Read MoreNothing More Bring The Jams In "The Stories We Tell Ourselves"
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Nothing More delivers exhilirating rock from start to end in The Stories We Tell Ourselves.
Read MoreProphets Of Rage Are All Bark And No Bite In Their Self-Titled Debut
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Prophets Of Rage rely too heavily on their nostalgia factor and forget to add punch to their call for revolution on Prophets Of Rage.
Read MoreAriel Pink Loses Sense Of Direction In "Dedicated To Bobby Jameson"
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Ariel Pink can't find the line between having an aesthetic and making something grabbing in Dedicated To Bobby Jameson.
Read MoreArcane Roots' "Melancholia Hymns" Is The Sound Of Perfect Musical Evolution
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Arcane Roots continues to challenge the impossible in their incredible sophomore album Melancholia Hymns.
Read More"Concrete and Gold" Is A Step In A New Direction For The Foo Fighters
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The Foo Fighters are changing up their formula and making something fresh in Concrete and Gold.
Read MoreFoo Fighters Proved Their Sound Was Timeless In "The Colour and The Shape"
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The Foo Fighters have a massive sound, which really took shape on their sophomore 1997 record The Colour and The Shape.
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